1x1 With Kristian Harloff

Welcome to a very special edition of Collider Ladies Night. Not only does this episode feature a personal favorite, but that favorite just became the first Ladies Night third-timer — Melissa Barrera. It was immediately evident that Barrera is an ideal Ladies Night guest during our first chat in January 2022 for Scream, one brimming with enthusiasm and passion for her craft, and for the art of filmmaking in general. That became even more undeniable after connecting at the 2022 Toronto International Film Festival for Carmen’s world premiere, and then again in March 2023 for a second Ladies Night in celebration of the release of Scream VI. One of the greatest joys of having two Ladies Night conversations a mere year apart with Barrera? Seeing how much she manages to accomplish in that short span, and hearing about how deeply she considers those experiences and how that impacts her goals and perspective on the industry going forward. At that point, making the independent feature, Your Monster, which just pre

If you’re a frequent Collider Ladies Night viewer/reader/listener, you’re likely well aware of my Yellowjackets obsession. I’ve been lucky enough to welcome many Yellowjackets cast members to the show, including Christina Ricci and Jasmin Savoy Brown, but there’s a certain someone who I was extremely disappointed to have missed out on while she was on the show — Ella Purnell. However, the time has finally come. Not only did I get the opportunity to talk a little Yellowjackets with Purnell, but we also got to celebrate yet another exceptional show of hers, Prime Video’s Fallout.Purnell plays Lucy in the series adaptation of the hugely popular Bethesda game. She’s a vault dweller living safe and sound in Vault 33. They’ve got food, water, and a kind community with a neighborly vibe. Above ground, however, it’s the exact opposite. 219 years since nuclear bombs decimated the surface, everyone else is just trying to survive in an apocalyptic wasteland with little to no rules or morals. In an effort to find her fat

After a hugely successful seven-season run, Riverdale came to an end in August 2023 with its 137th episode. Yes, being part of such a show is a blessing, but there’s a significant amount of pressure that comes with answering the question, “What’s next?” Camila Mendes is powering through that pressure right now in a big way — as a multi-hyphenate.Mendes stars in and executive produced her latest feature, Música. Director Rudy Mancuso also stars in the film as a young street performer from Newark’s Ironbound neighborhood. He’s in a relationship with Francesca Reale’s Haley, but is coming to learn that they might not be on the same page about how and when to find success and stability as a young adult in this world. Could Mendes’ Isabella be the solution? Soon after meeting her, he becomes convinced she understands him better than anyone. But, is it ever that simple?With Música celebrating its big debut on Prime Video this week, Mendes carved out some time to join me for a Collider Ladies Night conversation to d

Nell Tiger Free is proving to be quite the genre powerhouse. After starring in four seasons of the widely acclaimed Apple TV+ series, Servant, alongside Lauren Ambrose, Toby Kebbell, and Rupert Grint, she’s now headlining a brand new Omen movie, The First Omen, directed by yet another soaring force in the horror space, Arkasha Stevenson.The film takes place before the events of Richard Donner’s 1976 classic and focuses on Free’s character, Margaret. Margaret grew up in an orphanage where she suffered horrific hallucinations and visions. As a result, she was abused by the nuns in the facility. As a young adult, Margaret is in the novitiate phase and heads off to Rome to become a nun. While there, the pain she carries from her tumultuous childhood collides with the discovery of a sinister agenda unfolding around her, a combination that causes her to question her faith, and everything she thought she knew.In celebration of The First Omen’s big debut, Free joined me for a Collider Ladies Night conversation recapp

One of the greatest joys of Collider Ladies Night is welcoming a guest back to the show and celebrating how much they’ve accomplished in such a short period of time. That’s the case with DeWanda Wise. She was on Ladies Night for her very first franchise film, Jurassic World Dominion, in 2022 and now she’s back as the star and executive producer of a Blumhouse horror movie.Wise headlines Imaginary as Jess, a woman who moves back into her childhood home with her husband Max (Tom Payne) and her stepdaughters, Alice (Pyper Braun) and Taylor (Taegen Burns). Soon after moving in, the youngest, Alice, develops an attachment to a stuffed bear named Chauncey. Jess and Max brush it off as a charming connection between a child and her imaginary friend, but when Chauncey’s scavenger hunt becomes increasingly sinister and dangerous, Jess is forced to accept the fact that Chauncey might be more than a stuffed toy, and he might also have a connection to her own long-forgotten past.Check out this edition of Collider Ladies N

There is no doubt that this will be the first of many Collider Ladies Night interviews for Millie Bobby Brown. Not only has her acting career been soaring ever since the debut of Stranger Things back in 2016, but Brown is also using her rising start to influence certain projects for the better as a producer. She kicked off the Enola Holmes film series at Netflix wearing both hats, and now she stars in and executive produces her latest ambitious release for the streamer, Damsel.Brown headlines the film as Elodie, a young woman who agrees to marry a handsome prince (Nick Robinson) in hopes that his kingdom’s riches will help her family’s struggling people. However, nearly immediately after the two are wed, Elodie discovers the truth behind their union; his family is using her as a sacrifice to repay an ancient debt. She’s thrown into a cave with a dragon, kicking off a story that subverts the traditional damsel in distress narrative. There is no savior. It’s up to Elodie to save herself.During our Collider Ladi

Collider Ladies Night was created to highlight how an artist’s experiences paved the way to their latest achievement. There are often loads of highs along the way, but there can also be some more challenging moments, ones that heavily contribute to how one views the industry and how they’ll strive to change it for the better. A shining example of one such force in Hollywood? The Way Home star and executive producer, Chyler Leigh.The Way Home is a Hallmark series in its second season. Not a frequent Hallmark viewer? Hear me out. Hallmark has a large fanbase and serves it well, but The Way Home has the potential to broaden that viewership. It’s a sci-fi family drama with a fascinating mythology and hugely powerful beating heart. Leigh plays Kat Landry, a woman who’s estranged from her mother, Del (Andie MacDowell), but winds up moving back into her childhood home with her, along with her teenage daughter, Alice (Sadie Laflamme-Snow). While there, Alice discovers that there’s a pond on the propriety with the pow

Sadie Laflamme-Snow shot out the gate and into Hollywood in a big way. Just a couple of years after graduating from the National Theatre School of Canada, Laflamme-Snow scored a lead role in a Hallmark series opposite two industry heavyweights, Andie MacDowell and Chyler Leigh. Since premiering in January 2023, The Way Home has amassed an adoring fanbase that spans generations, and is credited with opening many minds to Hallmark content. Laflamme-Snow plays Alice, a teenager whose parents are on the cusp of divorce. Even though her mother, Kat (Leigh), is estranged from her mother, Del (MacDowell), they move back into her childhood home together, a house in a small farm town called Port Haven. While exploring the property, Alice makes a game-changing discovery. By jumping into a pond in the woods, Alice can time travel. But, Alice isn’t in control of where (when) she goes. That’s up to the pond, and it opts to send her back to 1999, the year that drastically changed Kat and Del’s lives and their connecti

As you’ll hear in this edition of Collider Ladies Night, Beanie Feldstein is a favorite. She’s a hugely talented individual, with a deep passion for the craft of acting who heavily values the opportunity to create with good people. There’s no doubt a good deal of that was in her from the start, but in revisiting her filmography in celebration of the release of her latest film, Drive-Away Dolls, it becomes abundantly clear that Feldstein is able to stand tall, deliver big and use her voice to change this industry for the better because she’s been well encouraged and supported by some of the best out there.Feldstein plays Sukie Shankleman in Tricia Cooke and Ethan Cohen’s Drive-Away Dolls. Fresh out of a relationship with Margaret Qualley’s Jamie, Sukie is on the warpath. She’s a no-nonsense cop who isn’t about to let Jamie get away with breaking her heart. When Jamie and Geraldine Viswanathan’s Marian get mixed up with some criminals while road tripping to Tallahassee, Sukie has no problem giving the goons the

Sophie Wilde’s work in Talk to Me is the epitome of a “breakout performance.” Not only did the film go from Sundance darling to one of the biggest smash hits of 2023, but Wilde herself received the praise she deserved for an incredibly demanding and exceptionally well executed lead performance.In fact, Wilde’s work as Mia is one of the main reasons why Talk to Me is so much more than a cool horror movie with a super creative high concept. Yes, the A24 acquisition delivers big when it comes to the thrill of watching a group of naive teenagers willingly becoming possessed via the now-iconic hand, but much of the movie’s depth comes from how Mia’s grief makes her susceptible to losing herself in the midst of this sinister high.In addition to being showered with critical praise and winning Best Lead Actress in Film at the Australian Academy of Cinema and Television Arts Awards, Wilde just scored one of the most coveted honors for a newcomer in this industry. She was nominated for the BAFTA’s EE Rising Star Award

Kathryn Newton is taking over in the best possible way. At 27, not only has she already amassed a vast filmography, but it’s one that’s packed with variety and bold creative swings. She headlined a Paranormal Activity film, she’s part of the Marvel Cinematic Universe, she was a comedy ace in Blockers, she stars opposite acting icons in HBO’s acclaimed series Big Little Lies, and she’s a certified horror genre powerhouse thanks to Freaky, Radio Silence’s next movie Abigail, and Zelda Williams’ wonderfully dark and charming feature directorial debut, Lisa Frankenstein.Newton leads as the title character, a misunderstood teenager who feels alone in the world after her mother is axe-murdered in their living room. Lisa’s step-sister Taffy, played by the effervescent Liza Soberano, is always there to offer support, but the only one who can fill Lisa’s heart is a guy who died in 1837 (Cole Sprouse). One night, Lisa’s fantasy becomes a reality when a lightning bolt reanimates his corpse, kicking off a joyfully horrif

One of the greatest joys at a film festival is meeting an artist for the first time and knowing with certainty that, from that point on, you’ll always prioritize their work. I’ve been lucky enough to have a number of those encounters over the years, but two especially memorable ones are Kelvin Harrison Jr. and Aaron Pierre. I first met Harrison Jr. at the 2019 Sundance Film Festival for Luce, and for Pierre it was at the 2022 Toronto International Film Festival for Brother, both breathtaking performances in exceptional films. In addition to the fact that both are bursting at the seams with talent, Harrison Jr. and Pierre are also artists who clearly ooze with deep passion and respect for the craft of acting. They're consistently true treats to chat with, so when the opportunity to host the very first 2-on-1 version of Collider Forces with the pair popped up, it was a must.While in Park City for the 2024 Sundance Film Festival, Harrison Jr. and Pierre kicked off their promotional tour for Nat Geo's Genius

Reneé Rapp is one of the most exciting and inspiring forces on the rise right now in entertainment. Not only is she bubbling over with next level talent, but she also boasts a number of extremely admirable qualities, ones that can be hard for any artist to establish, let alone one just starting her career. Rapp operates with maximum conviction. She’s someone who knows what she wants, and has absolutely no problem advocating for herself. Even better? She keeps her collaborators’ best interest in mind while pursuing her own dreams.Rapp is often in the spotlight courtesy of her flourishing music career and highly influential social media presence, but her name is in even more headlines than usual right now thanks to her feature film debut, Mean Girls. After playing Regina George on Broadway, Rapp returns to the role for the new Samantha Jayne and Arturo Perez Jr. directed film. Mean Girls 2024 holds tight to the 2004 original, incorporates a slew of songs from the musical, and manages to put its own fun, fresh s

Carla Gugino has been quietly amassing one of the most diverse bodies of work in Hollywood, and it’s about time that’s recognized. She’s got a disaster movie in San Andreas, loads of family-friendly adventure films including Race to Witch Mountain, Night at the Museum, and the Spy Kids movies, and she’s currently soaring in the horror space with projects like Gerald’s Game and The Haunting of Hill House. We’d be here all day if I listed everything, but do give her lengthy filmography a quick scan. I’d be willing to bet that in almost all cases, consecutive projects fall in different genres.Just recently, Gugino got the opportunity to show off a good deal of her seemingly limitless range in a single project, The Fall of the House of Usher. The stellar new Netflix series from Mike Flanagan and the “Flanafamily” focuses on Roderick and Madeline Usher, the extremely wealthy and powerful brother-sister duo pushing Fortunato Pharmaceuticals up and up while leaving a trail of dark secrets in their wake. They think t

During our Collider Ladies Night interview, Maura Tierney emphasized that the role of Doris in The Iron Claw “was not an easy role,” which is plain to see in the finished product for a multitude of reasons. Not only is the new A24 film based on a staggeringly tragic true story, but, as a supporting actor in the movie, Tierney is also in a position where she must justify a number of a significant choices her character makes within a high-pressure family dynamic with minimal screen time. She does just that in the movie, delivering a performance that’s brimming with effective subtlety and subtext.The Iron Claw is inspired by the true story of the Von Erich family. They’re Texas professional wrestling royalty with their sights set on rising even higher in the sport, a goal that’s dashed by a string of deeply gut-wrenching personal tragedies.With The Iron Claw now playing in theaters nationwide, Tierney took the time to join me for a Collider Ladies Night interview to revisit her journey from early unforgettable c

We started the Pre-Party branch of Collider Ladies Night for artists like Aria Mia Loberti. The show is designed to highlight newer filmmakers who are undeniable stars and are bound to soar in this industry while changing it for the better both in front of and behind the lens. That is Loberti.Loberti is in the midst of celebrating her first professional acting role ever, a performance that earned her a Best Breakthrough Performance in a New Scripted Series nomination at the Independent Spirit Awards. She leads the Netflix limited series All the Light We Cannot See as Marie-Laure LeBlanc, a blind French teenager who flees German-occupied Paris with her father (Mark Ruffalo) to live with her uncle (Hugh Laurie) in St. Malo where he transmits secret radio broadcasts as part of the resistance. When her father fails to return home, Marie continues the broadcasts herself, transmissions that continue to be highly valuable to the resistance and also serve as opportunities for Marie to try to reconnect with her father

Kate Siegel is a Collider Ladies Night favorite for a multitude of reasons. Just to name a few, she’s wildly talented, does exceptionally thoughtful and detailed backstory work, and she values the opportunity to build a filmmaking community and lift others up through it. She’s been doing all of that for years now, but as the Flanafamily grows and as her individual star rises higher and higher, there is no doubt she’ll become an even stronger force in boosting high-quality, bold storytelling made by good, talented people.The most recent example of Siegel being a key part of such a production is The Fall of the House of Usher. Created by Mike Flanagan and directed by Flanagan and Michael Fimognari, the series focuses on the Fortunato Pharmaceuticals empire run by siblings Roderick and Madeline Usher (Bruce Greenwood and Mary McDonnell). Having always operated as though the Usher family is untouchable, Roderick and Madeline are shocked when their empire starts to crumble as the members of the Usher dynasty are k

It’s not easy to steer clear of getting boxed in to one particular thing in Hollywood, but Shelley Hennig has done that especially well, amassing a body of work that ranges from a soap opera to horror to extreme action-comedy with her brand new Netflix series Obliterated.The show comes from Cobra Kai creators Josh Heald, Jon Hurwitz and Hayden Schlossberg, and stars Hennig as Ava Winters, a CIA operative in the midst of a very tense and dangerous mission to track down a nuclear threat in Las Vegas. When she finally manages to lead her team to victory, they encourage her to treat herself and enjoy some Las Vegas debauchery. She reluctantly agrees and out they go, indulging in a hefty dose of sex, drugs, and alcohol. With a wide variety of substances coursing through them, they get a call from their superior. The bomb they deactivated was a fake, and they have to get right back to work. And so they do — extremely drunk and/or high.With Obliterated now available to stream on Netflix, Hennig joined me for a Colli

Back in April I was watching Dexter Fletcher’s Ghosted. The majority of the movie focuses on Chris Evans and Ana de Armas’ characters, Cole and Sadie, but at the beginning of the film, there’s a delightful short sequence that unfolds at Cole’s family home. That sequence includes some pitch-perfect interactions between Evans and the actor playing his sister — someone I was unfamiliar with at the time.About four months later, I began my Gen V journey and was instantly taken by the entire cast, but especially by the actor playing Emma. Who was it? It was the same artist. It’s Lizze Broadway.Broadway shoulders one of the most complex storylines in The Boys spin-off series. Emma is a supe with the ability to get small, but in order to do so, she must purge to shrink to the size of an ant and then eat to grow tall again. Constant body image monitoring and pressure from her own mother leaves Emma with a warped perception of the value of her powers and feeling “unlovable, gross and ugly.” However, Broadway makes it a

It isn’t snagging a breakout role in a major Hollywood film, but once you do, the pressure doesn’t stop there. Picking the right follow-up projects, ones that allow an actor to continue honing their craft while also further solidifying the artist one wants to present to the industry, is of the utmost importance. That’s the phase we find Rachel Zegler in. After delivering a staggeringly beautiful debut feature performance in Steven Spielberg’s West Side Story, it's on to a beloved franchise, a remake of a Disney classic, and an A24 comedy.The first out of the gate for that trio is The Hunger Games: The Ballad of Songbirds and Snakes. The role of Lucy Gray Baird is a massive challenge to take on for a number of reasons. First off, Zegler must follow in the footsteps of Jennifer Lawrence who delivered impeccable work as Katniss Everdeen in the original Hunger Games movies. Not only must Zegler take up the mantle of Hunger Games lead, but she’s doing so with a character with an especially bubbly personality who v